The name of an event: “Cuban independent cinema”.

by Ángel Pérez 1 The term “Cuban independent cinema” is one of the most problematic among those that circulate in the island’s contemporary cultural landscape. A quick review of the

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Por un arte gusano y de solar

  Long live the rag sir / And the table without a tablecloth / Long live the one who smells like an alley / A swear word and a workshop.

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Alexander Calder, “el volatinero”. His trace in Havana (I)

By Edgar Ariel In panel 141, on its obverse, I found the postage stamp containing the sculpture Frisco, by Alexander Calder. Above, in black sans serif letters: CUBA CORREOS 3

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Brenda Cabrera: “I am curious about the sexual”.

"My "fish" are 'Monsters', I have named them so, and likewise the species is named. Sometimes these beings dominate women and vice versa. They are phallic in shape or can be hybrids."

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“Hybrid of a Chrysler. A Provocation to Fly”. A conversation with Gabriela Azcuy and Esterio Segura

There is no doubt that TRAVEL -in capital letters- embodies one of the great themes of Cuba’s recent history, from a cultural and social point of view. In the idiosyncrasy

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Paz Corona facing the erotic of the future time. A conversation

By Edgar Ariel We are on rue Saint Gilles, in the third arrondissement of Paris. Paz Corona holds a bottle of water in her hands and watches me arrive at

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Silent Specific: the city as experi(ment)ence

"Silent Specific" has perforated -intervened- the "dramaturgy" of the city from a stance that implies an understanding of the public as political.

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Chalisée Naamani, « Nude selfies till I die* »

*May 16, 2016, Kim Kardashian’s speech receiving an award at the 20th Annual Webby Awards.     « 2020, je mets le Pape et Nabilla sur l’même tableau Pas d’photo

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Naomi Lulendo, Mascarade et sorcellerie

Naomi Lulendo est beaucoup de choses. Sur le papier, elle est parisienne, diplômée de l’École des beaux-arts depuis peu. Dans son sang, sa tête et sa peau, elle est française,

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Conversation with the artist Inês Zenha

I met Inês Zenha last June at her exhibition Between folded, enfolding and yet to be unfolded in the former Red House, now called the 10 Bastille. Fascinated by her

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