What other artist than Dominique Gonzalez-Foerster could have become the character of a novel in this new literary year? In Rétine, playing with the artist’s public image and reported comments,
Marilou Poncin attacks fantasies: sexual of some, subject to the prejudices of many others. From cam girls to love dolls and bimbo, she explores these semi-factice female figures, shaped by
A being, one cannot decently see a man, crushes the face of a second kneeling before him. His muscles, especially his abdominals, are prominent, his glaze screams, and wounds around
Si la peinture d’Enzo Certa était une musique, elle serait un mélange des plus pointu combinant opéra italien classique et rythme endiablé de la Compagnie créole. Elle s’écouterait alors très
Words are everywhere. In Christine Herzer’s studio-apartment this is probably more true than elsewhere. They are said, written, drawn, shared or collected. From floor to ceiling, the environment is saturated
William Burroughs, a figure of the Beat Generation, is best known for his literary work. Author of The Naked Feast or Junkie, he popularized with Brion Gysin the practice of
The earth and bark smother the visitors’ steps. We are actually in a gallery, but the works are discovered in a smell of undergrowth and almost by detour. Florian Mermin
The eye is there to observe and challenge us. Silent and yet omnipresent, it attracts attention without however initiating a real exchange, here sketched as an Egyptian symbol, there underlined
Painting is a spiritual exercise. It is a canvas that we contemplate, colours that absorb us, another reality that opens up to us. In Cecilia Granara’s paintings, the exercise of
It is difficult to catch Caroline Mesquita, winner of the 2017 edition of the Ricard Prize, as the artist is multiplying her projects. While two of her pieces have entered
