Long live the rag sir / And the table without a tablecloth / Long live the one who smells like an alley / A swear word and a workshop.
By Edgar Ariel In panel 141, on its obverse, I found the postage stamp containing the sculpture Frisco, by Alexander Calder. Above, in black sans serif letters: CUBA CORREOS 3
"Silent Specific" has perforated -intervened- the "dramaturgy" of the city from a stance that implies an understanding of the public as political.
It is sometimes oddly difficult to write about something that you have loved, that keeps inhabiting you, making you thrill and reflect. Three times now I have tried to write
Last October, I visited the Palais de Tokyo exhibition – “Future, Past, Fugitive”. I emerged an hour later, the visit not even over, tears in my eyes, a knot
This text is the product of reflections and questions that accompanied me throughout the quarantine. It was written in March and April 2020. No more outings, no more physical contact,
The intricacies of art and politics are clear, Deleuze saw a “fundamental affinity between the work of art and the act of resistance” (1), minus those with the political agenda,
Alors que la Monnaie de Paris ferme bientôt et définitivement les portes de son espace d’exposition dédié à l’art contemporain, cet article inédit, mais écrit il y a déjà longtemps,
It is quite unusual to read critics express themselves on beauty. We can understand that, there are many reasons. Because it is not a value immediately sought in the world
Sur des murs de plus de 15 mètres de hauts s’animent les coups de pinceaux de Van Gogh, du sol au plafond, dans une atmosphère sonore à la façon «
