Helga Sophia Goetze

For the original German version of this text please visit pokusberlin.com Helga Sophia Goetze’s work is often referred to and read as Art Brut. She described herself as “the greatest

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لِبيروت (To Beirut)

For the original German version of this text please visit pokusberlin.com I often wake up with an earworm that I can’t really explain. A song plays incessantly in my head

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Notes on “Relaxed Performances”

In early January I went to the festival Tanztage Berlin 2020 in the Sophiensæle to attend a contemporary dance performance. Before we, the spectators, were allowed to climb the stairs

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Uncanny Valley:  Rationalizing the Author’s Appearance

The play ends, but the performer who earlier introduced himself as the writer Thomas Melle just keeps sitting in his armchair, one leg casually rolled over. Under halting applause, two

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Hito Steyerl, “This is the Future” (2019)

Hito Steyerl’s video installation This is the Future (2019), a garden of the future, is a composition of digital plants: screens blossom on metallic stems. The garden was conceived by artificial intelligence

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Reflection on Identity: Iranian Artists at the Pergamon

The first time I moved to Berlin, I went directly to the Pergamon Museum. I had dreams in my head. Dreams about the Ishtar Gate and the Mshatta Hall. The first

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THE POETIC OF A LUGGAGE ROOM

Around the old tempel People dance everyday, they sing, they celebrate joyfully. Little fires are lightened to keep the giant warm. And he opens secretly his doors, which are not

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ON THE DISPOSITIVE OF MEDIATION: JÉRÔME BEL AND ISADORA DUNCAN

In all live performances, there is an exchange between the performers on stage and there is a exchange between the performers and the audience. These two levels of communication must

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Mothers as Monuments: ESZTER SALAMON, MONUMENT 0.7 M/OTHERS

Two bodies move slowly and devoutly, moving towards and away from each other. Every movement is fluid. The moments of monumentality, when the breath almost falters and the tension is

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History of art or the art of writing history

Emil Nolde’s political position is made clear from the beginning: he has clearly positioned himself for Hitler’s Reich since 1933 and has tried with all his might to have his

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