4 p.m. in Berlin. It is the end of October and the winter is coming already: the sun is almost setting. I meet the twilight also behind the door I

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SLEEPWALKING WRITING AT THE ÉRIC MOUCHET GALLERY

Nous sommes dans la nuit de dimanche à lundi, je suis seule dans la galerie Éric Mouchet et j’ai comme unique compagnie les œuvres de Gwendoline Perrigueux. Dans la galerie, cette nuit, je ne veux qu’écrire.

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THE CLARA RIVAULT’S OUTSTRETCHED HAND

My skin shreds the pocket of my jeans, my fingers slip into its breast and collect a cold body that I guess plural. Its rough walls caress my skin, which

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HAYOUN KWON’S MEMORY SPACES

If there are things that can be shared a priori without difficulty, the memory is undoubtedly the most obvious. It can be broken up as desired, free of charge and

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THE MARGINALS OF VINCENT GICQUEL

The exhibition Debout ! was a cry that escaped all summer from the Convent of the Jacobins of Rennes. Sometimes plaintive, sometimes furious, sometimes even injunctive, this cry has not

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FACE TO FACE WITH MOTORWAY ART

We probably know all the highways in France: tolls, triangle sandwiches and other traffic jams are all mythologies that drive each of our holidays, each of our trips to and

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HUGO SERVANIN, THE BODY ARCHITECT

For a long time I considered Hugo Servanin as a Frankenstein doctor. Indeed, his tendency to postpone our appointments to “embalm his bodies” reinforced my idea that this was an

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BAD SCENOGRAPHY: A CORROSIVE FOR ART

  A sofa in upholstered fabric, a bookcase in solid oak, in short a Roche Bobois furniture that participates in the imitation of a collector’s interior through which it was

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